entertainment

‘Rumours’ is the Solution to Crafting Political Satire in the 2020s

What’s that quote about how no one knows what they’re doing, we’re all just pretending? You know the one. The one that resonates when you realize you’re suddenly an adult and you have no idea what you’re doing. That further resonates when you realize your parents aren’t omniscient. And even further when you realize that the people in charge of everything are literally clueless. Take that horrifying thought and imagine your G7 leaders managing another global crisis from their towers before being thrust from them and directly into another one. That’s the black comedy painted all over Rumours, a gut busting political satire from Canadian creators, Guy Maddin, Evan Johnson, and Galen Johnson.

Political satire will always be timely, but Rumours picks at the fresh wounds of the pandemic, climate change disasters, and the wars abroad. Maddin and co imagine our most prominent leaders as immature, petulant, windbags who spend more time sipping wine and drafting hollow statements than they do taking any real action against crises. They’re not faces of evil per se, but they’re gutless ivory tower dwellers full of so much hot air, they almost float, and they’re otherwise as unequipped as the rest of us.

The eclectic cast is clutched together by Kate Blanchette’s star power and accent proficiency, her as the sharp German Chancellor surrounded by a hopeless romantic Canadian Prime Minister (Roy Dupuis as Maxime Laplace), a barely conscious and babbling American President (Charles Dance as Edison Wolcott), a nervous bumbling English Prime Minister (Nikki Amuka-Bird as Cardosa Dewindt, and further securing herself as the queen of awkward, weird, dry comedy), the irreverent and hard to pin down President of France (Denis Ménochet as Sylvain Broulez), the vapid Italian Prime Minister (Rolando Ravello as Antonio Lamorte), and the frantic fly on the wall Prime Minister of Japan (Takehiro Hira as Tatsuro Iwasaki). They’ve assembled in a protected manor in Germany to strategize and prepare a statement for an unspecified global crisis. While the world is implied to be dealing with one thing or another, they gather over wine glasses, notepads, and the uncomfortable social situation created by the weeping Canadian PM struggling with his love life. It’s all vapid and fluffy and the “strategy” seems completely secondary to their social structure and personal matters. That is until they find themselves alone (which they notice as no one seems to be refilling their wine glasses) and surrounded by dripping zombies.

If you can imagine it, world leaders land smack in the middle of a real crisis and their notepads are insufficient protection from the fold. That’s where the Canadian creators find their comedy, not only in the social satire about hapless leaders but in seeing them clunk around in high heels with shapely haircuts trying to defend themselves from monsters. It’s as much an Iannucci political satire as it is Mars Attacks. And with the former comes the crackling dryness which works until it doesn’t. Blanchett walking gingerly in smart dress shoes and managing the crew’s emotions is what trailer clip dreams are made of, but the gag loses freshness around the midpoint, only saved by the sudden appearance of Alica Viaknder as the representative of the European Union. Surprise guests, though, unfortunately can’t keep the back half afloat but the film has earned enough good will by then to keep your attention.

Rumours is the bridge between weird cinema and overt political commentary that 2020s earth inhabitants crave- it lampoons our world leaders but creates a situation remote enough from reality to allow for brainless (non-literally…) laughs. I mean, unless you count how close the Canadian and American reps are to their Earth-1 counterparts but let’s not get into it.

Rumours hits theaters October 18, 2024. 

The ‘Succession’ Blu-ray Box Set is Monstrous. It’s Gargantuan.

Watching the demise and shift of cable and streaming entertainment makes for a meta-exercise when considering one of the greatest shows of this time was one built around a faux version of the Fox empire. Succession, HBO’s series about a self-absorbed clan of powerful billionaires, had the kind of cultural impact as the Golden Age of television, a heat associated with shows like The Sopranos or Breaking Bad. After a brief (perhaps mercifully so) four season run, Succession walked away with numerous awards (many for the acting of the unbelievable cast who seemed to outdo each other each episode) and the accolade of being popular water cooler talk, a show everyone had seen or was otherwise eager to.

The four seasons chronicled the self-centered reactions a group of siblings (and some of their spouses and distant relatives) had to the impending retirement of their billionaire patriarch. Logan Roy (Brian Cox) isn’t just the father of the “failing up” gaggle of self congratulatory dipshits, but is the father of modern America, shaping media, insurance, vacations, culture, and politics. As a stand-in for the real-life puppet master of a nation (and perhaps the world), an ever-ailing Logan is a gatekeeper for the next generation of world-shapers, pitting his unworthy children against each other for their shot at the crown. Equal parts insult-comedy and Shakespearean play, the members of the Roy family trip and fall through their attempt to usurp, trick, instigate coups, and succeed their father, all with the fake reasoning they give to themselves, each being shown to ultimately be as power hungry as the main that made them. It makes for dramatic fodder that pushes away puzzle box television watching in favor of lengthy discussions on symbolism that made for gorgeous essays on the symbolism of water, stunning acting choices that change vents, and finale reveals you can’t believe you didn’t see coming.

Succession was and remains a television monster by so expertly fusing writing, direction, cinematography, (sounds basic, I know) for the sort of alchemy that makes a series all things to many people. Now for collectors, cord cutters, or those afraid of streaming wars casualties, the complete series is available on Blu-ray.

For the first time ever, all 39 episodes of the series are available in one set, complete with special features superfans won’t be able to find by relying on a YouTube algorithm. Beyond clutching access to all episodes, viewers will have access to behind-the-scenes interviews with the cast and crew, extended character breakdowns, as well as “Inside the Episode” featurettes. The 12-disc set is mastered with high quality audio (I’ll let the buds at blu-ray.com break down the specs) and high quality 1080p resolution so nothing will be lost in your trip from streaming to physical media.

12 discs might make it too large to fit in your blazer pocket, but if you have room after removing your subway shoes like the rest of us normies, you could plop this boxset right into your capricious bag.Warner Bros. Discovery Home Entertainment will be newly releasing Succession: The Complete Series on Blu-ray. Get ready to binge on all 39 episodes from HBO’s Emmy® award-winning original series, along with all the previously released special features. The brilliant high-stakes drama following the Roy Family and their quest for power will be available to purchase online on August 27. Pre-order your copy today.

Warner Bros. Discovery Home Entertainment will be newly releasing Succession: The Complete Series on Blu-ray. Get ready to binge on all 39 episodes from HBO’s Emmy® award-winning original series, along with all the previously released special features. The brilliant high-stakes drama following the Roy Family and their quest for power will be available to purchase online on August 27. Pre-order your copy today.