Comedy

‘Bad Shabbos’ is a Gas

Menemsha Films

There’s enough reason to be tense about a meeting of future in laws, or machatunim if we’re being precise, without manslaughter but what’s a dead body between family? Bad Shabbos, a black comedy from Zack Weiner and Daniel Robbins, ups the ante on a religious standoff over family dinner by adding an accidental death that might look like a murder if it was revealed. Nervous guests and family dynamics are pushed to their anxious brink as they individually, then as a group, decide how to handle a stinky corpse hanging out in the powder room.

David (Jon Bass) and Meg (Meghan Leathers) are planning to get married, which requires Meg to begin the process of conversion in order to satisfy Jon and his modern religious family. In order to smooth the transition, they’ve invited Meg’s parents to Friday night dinner at David’s parents’ place so everyone can meet and her parents can get a sense of the tradition. Tensions are already high with Jon’s mother (Kyra Sedgwick) being less than accepting of Meg, Jon’s brother, Adam (Theo Taplitz), being a medicated foil to social situations, and Jon’s sister, Abby (Milana Vayntrub), sparring with her partner, Ben (Ashley Zukerman) who doesn’t seem to get along with anyone. After Ben clashes with Adam, Adam cooks up a scheme to dose him with his prescription laxative. But Adam somehow doesn’t know about Ben’s congenital digestive issues, and the cocktail of medication and dairy products knocks Ben off his balance and into the bathroom fixtures. Discovering his dead body, the siblings decide to protect Adam by covering it up and then are forced to do so during a hectic dinner where dynamics and relationships are already being tested.

The sprawling apartment, the countdown until Meg’s parents’ door knock, and a helpful doorman (Method Man), will all keep the bickering family on their toes as they navigate how to handle the tell-tale heart no longer beating in their powder room. That’s what creates the tension and allows for the comedy to spill over and into the New York City high rise.

Bad Shabbos wants us to laugh until we maybe toot and it’s mostly successful. Panicking family members and the comedic chops of people like Vayntrub and Method Man make for the tense kinds of laughs you want in this single location bruhaha. It’s not quite Clue or an Agatha Christie story, but it doesn’t seem to be trying to be more than a good old cluster of calamities where everyone is in on information at different times. It’s a less bloody version of a movie like Happy Times (2019), which sits closer to “comedy” on the “black comedy” spectrum making it easier to recommend to your extended family.

While there are certainly laughs to be had, much of Bad Shabbos relies on some outdated Jewish jokes and tropes about Jewish mothers it might be time to move on from. Jokes about the banks, the media, and unaccepting mothers are tired, but perhaps Bad Shabbos is taking ownership of them or exploring a personal experience that I can’t invalidate.

Bad Shabbos is an imperfect single location black comedy but one I am so happy exists. Clashing cultures, relationship and family dynamics, and tight dinner quarters are always ripe for solid explorations and gags, but chucking in a dead guy and an implicated murderer ups every version of that ante. For those looking for a harmless laugh, especially one about their own culture or similar experience with one, Bad Shabbos is a little delight, and a bit of a love note to the Jews of NY.

Bad Shabbos opens in NYC May 23, 2025 and LA and select cities on June 6, 2025

‘Novocaine’ Wants to Remind You of When Action Movies Were Fun

Jack Quaid as “Nate” in Novocaine from Paramount Pictures.

That’s not to say that directors, Dan Berk and Robert Olsen, are the only ones out here trying to thrust movie watchers back into the action movies of yore. Michael Bay and Doug Liman have been trying the same with films like AmbuLAnce and Road House. So with a surprising twist on the action comedy toned with splatstick comes Novocaine, a blood-soaked action comedy that breaks through the chains of midnighters.

Jack Quaid and his overflowing charm lead as Nathan Caine, the mild-mannered bank assistant manager living his life within the confines created by his condition. Caine can’t feel pain, so to avoid any life-threatening accidents, he lives life in a box made of smoothies (he could bite his tongue if he chews!), watered down coffee, and tennis balls acting as metaphorical and literal guardrails. Caine’s life finally gets tastier when he meets Sherry (Amber Midthunder), a colleague with a forkful of cherry pie and a whole other experience with self-inflicted pain. When their bank is robbed and Sherry is taken hostage, Caine uses his condition as his superpower and takes every kick, punch, bullet, and burn with ease and valour so he can rescue his dame.

The simple set up sends the every-man into the underworld fray, but Novocaine is more than just an average Joe taking on unreal baddies. It takes that premise and mixes in some gnarly gore (with this and The Monkey, those of us who laugh at good gore are having a great year), and a host of tropes that feel ripped from 80s action films. Its early reveal is massively forecast but simultaneously difficult to see until you clue into the sort of film you’re watching. Its gory midsection is sometimes tiresome but does its best to stay fresh, then the third act barrels into throwback action that’ll leave a queasy audience ready to cheer.

Novocaine almost never asks you to take it seriously which is to its own detriment. Dancing a little bit too close to parody, it stuffs the film with a comedy version of a cliched cop partnered with a serious version of one who still seems completely inept at police work. Pit them against the world’s dumbest and most brash bank robbers (seriously, they could learn restraint from the robbers in Point Break), and I guess you can see why the skinny bank manager would take this battle on his own.  It makes the lore of the cops and robbers difficult to buy into and sucks some of the comedy out of Caine’s splatter parade by being a bit too dumb. It’s perhaps worth it to see Ray Nicholson go full Bodhi but he is not given room to be Sonny Wortzick.

While it’s tempting to compare Novocaine to the other average Joe movies that succeeded John Wick, it’s much more on a plane with Baby Driver and Boy Kills World where a guy with a particularly special skill takes on larger than life villains with a specific motivation, the whole affair being brightly lit with saturated colours (that really make that red blood pop). Novocaine isn’t the next in line of average Joe shot-em-ups, it’s a reminder of a time where the best movies had action stars dangling off the sides of a city bus.

Novocaine hits theaters March 14, 2025.

‘Rumours’ is the Solution to Crafting Political Satire in the 2020s

What’s that quote about how no one knows what they’re doing, we’re all just pretending? You know the one. The one that resonates when you realize you’re suddenly an adult and you have no idea what you’re doing. That further resonates when you realize your parents aren’t omniscient. And even further when you realize that the people in charge of everything are literally clueless. Take that horrifying thought and imagine your G7 leaders managing another global crisis from their towers before being thrust from them and directly into another one. That’s the black comedy painted all over Rumours, a gut busting political satire from Canadian creators, Guy Maddin, Evan Johnson, and Galen Johnson.

Political satire will always be timely, but Rumours picks at the fresh wounds of the pandemic, climate change disasters, and the wars abroad. Maddin and co imagine our most prominent leaders as immature, petulant, windbags who spend more time sipping wine and drafting hollow statements than they do taking any real action against crises. They’re not faces of evil per se, but they’re gutless ivory tower dwellers full of so much hot air, they almost float, and they’re otherwise as unequipped as the rest of us.

The eclectic cast is clutched together by Kate Blanchette’s star power and accent proficiency, her as the sharp German Chancellor surrounded by a hopeless romantic Canadian Prime Minister (Roy Dupuis as Maxime Laplace), a barely conscious and babbling American President (Charles Dance as Edison Wolcott), a nervous bumbling English Prime Minister (Nikki Amuka-Bird as Cardosa Dewindt, and further securing herself as the queen of awkward, weird, dry comedy), the irreverent and hard to pin down President of France (Denis Ménochet as Sylvain Broulez), the vapid Italian Prime Minister (Rolando Ravello as Antonio Lamorte), and the frantic fly on the wall Prime Minister of Japan (Takehiro Hira as Tatsuro Iwasaki). They’ve assembled in a protected manor in Germany to strategize and prepare a statement for an unspecified global crisis. While the world is implied to be dealing with one thing or another, they gather over wine glasses, notepads, and the uncomfortable social situation created by the weeping Canadian PM struggling with his love life. It’s all vapid and fluffy and the “strategy” seems completely secondary to their social structure and personal matters. That is until they find themselves alone (which they notice as no one seems to be refilling their wine glasses) and surrounded by dripping zombies.

If you can imagine it, world leaders land smack in the middle of a real crisis and their notepads are insufficient protection from the fold. That’s where the Canadian creators find their comedy, not only in the social satire about hapless leaders but in seeing them clunk around in high heels with shapely haircuts trying to defend themselves from monsters. It’s as much an Iannucci political satire as it is Mars Attacks. And with the former comes the crackling dryness which works until it doesn’t. Blanchett walking gingerly in smart dress shoes and managing the crew’s emotions is what trailer clip dreams are made of, but the gag loses freshness around the midpoint, only saved by the sudden appearance of Alica Viaknder as the representative of the European Union. Surprise guests, though, unfortunately can’t keep the back half afloat but the film has earned enough good will by then to keep your attention.

Rumours is the bridge between weird cinema and overt political commentary that 2020s earth inhabitants crave- it lampoons our world leaders but creates a situation remote enough from reality to allow for brainless (non-literally…) laughs. I mean, unless you count how close the Canadian and American reps are to their Earth-1 counterparts but let’s not get into it.

Rumours hits theaters October 18, 2024. 

John Dies at the End

Image result for john dies at the end posterSorry, twitterverse, this movie’s title is a spoiler.  You’ll also never believe what happens at the end of The Sixth Sense.

This movie is weird as hell.  Is that enough of a selling point?  I immediately fell in love with this for being so strange and weird and fun and remember it being an hours long universe building mind trip, but it’s 100 minutes long.

After a party, Chase wakes to discover is friend, John, is missing.  After getting some mysterious phone calls from what appears to be a clairvoyant John, Chase sets on a mission to solve the mystery of the new drug, “soy sauce,” and save the planet from what might be an otherworldly, sinister force.   Along the way, he encounters ghost hunters, evil beings, and maybe an alternative universe or two. This movie takes you so many places, you will honestly feel both older and revitalized by the end of it.

Told by Chase to a reporter, the transcendence of a linear timeline in the plot is stacked with non-linear story telling, and it’s used with careful purpose.  Watching the level headed Chase transform throughout the narrative via his own telling is relateable enough to have you wonder if you’d, you know, hunt ghosts or whatever.

In the same way you fell for the “whatever is going on,” weirdness of Dirk Gentley, you’ll fall for this.  You will spend some time trying to reason the transcendence of space and time, and ultimately land on having a great time.

Great if you liked: Dirk Gentley’s Holistic Detective Service, The Hitchhiker’s Guide to the Galaxy, A Scanner Darkly, Bubba Ho Tep, Tucker and Dale vs Evil, Phantasm.

Keanu

As much as I wish I could just post about Keanu Reeves being awesome, this post isn’t about that. (Well, not directly, anyway).

We have all certainly heard the buzz of Jordan Peele‘s Get Out.  A lot of you are probably like “wait? Peele? Like that funny dude from Key and Peele?”  (Bonus points if you were like “wait, the guy who was on MAD TV with Key?). Yep! That guy.  Well briefly before his horror masterpiece was helping generate 200 buzzfeed articles, Key and Peele pumped out this comedy about a cat named Keanu.

This bizarre comedy follows two cousins pretty out of touch with LA street life.  After a cat stumbles into their lives, things seem to be on the up for the down trodden duo, but the cat belongs to a drug lord.  Hitmen and drug dealers claim the cat back sending the cousins on a berserk frenzy to reclaim their pet.

This movie is pure laughs in the style you’ve come to know and love from this pair.  As they take off in disguise as badass drug dealing hitmen in their pastel coloured shorts, you’ll immediately feel comfortable in the humour you expect from these two.  Put simply, it is a laugh, and a perfect gem when you’re looking for a comedy you might have missed.

Great if you liked: Let’s Be Cops, Bad Boys, Mr. Right, Central Intelligence, Let’s Go To Prison, Get Hard, Masterminds, Neighbor. (Note* I am not a big fan of most of these movies, and I love Keanu.  This movie is a lot better and a lot funnier, but certainly falls into the same category as those mentioned).

The Grand Seduction

It’s Thursday.  I treated myself to some banana cake because I deserve it.  You know what you deserve?  Something feel good.

I’ve said this over and over, so many hidden gems tend to be horror and sci fi, and while those are my favourite, so no complaints, it leaves little room for your nice warm and fuzzies.  Well this early Spring Thursday, I bring you a warm and fuzzy by way of The Grand Seduction.

I know what you’re thinking, “I see Taylor Kitsch as a doctor.  I am sold.  Say no more!”  BUT WAIT, THERE’S MORE.

In Eastern Canada (Newfoundland, specifically), there is a strange abundance of Irish accents and fishing towns.  This fishing village is in desperate need of jobs, jobs that would come with the building of a new factory.  In order to get the factory in their village, they’ll have to get the numbers, get the workers, get the space, and get a permanent doctor.  After getting into some trouble with the law, Dr. Paul Lewis is sent to the town to temporarily fill in as their full time medic.  The people of the village, desperate to get him to stay, plot to sell their charming village to the good doc by any means necessary.

Yep, it’s pretty creepy, and the villagers are nothing short of that.  But this incredibly cute story shows the will and determination of a village coming together to save what they have by any means necessary.  The cast is as charming as the town their trying to protect.  You might even be convinced to visit…. unless you like ethnic food and 40 hipster coffee joints on every corner (which I do, so… not for me).  Even Kitsch totally sells it as a caring and charming doc, made to blush when flattered by the ladies.

This departure from your average romantic comedy or slapstick laugh fest is a super cute and super unique feel good laugh.  I almost struggle to compare it to a mainstream you’re likely to have seen.  This is what “charm” looks like on screen, and you deserve that on a Thursday. (Fun fact, this appears to be a remake).  Learn more about the wonderful province of NL here.

Great if you liked: The Way Way Back, honestly, I have no idea, this is such a departure from anything I have seen…

Better Off Ted

If you haven’t yet submitted to the mania of Santa Clarita Diet, I suggest you get on it.  The Netflix comedy has me in stitches and I’ve watched it through more than once by now.  Which is why it came as no surprise to me that the show’s creator,  Victor Fresco, is also responsible for one of my favourite lesser known sitcoms, Better Off Ted.

I was introduced to this parody of office culture while nuts deep in a ridiculous office job selling “smart solutions to optimize efficiency.”  Buzz business words that business people don’t think are funny were my jam, so this show hit the sweet spot.

This quick witted comedy focuses on Ted, a VP at a parody of a multinational conglomerate in charge of research and development.  The single father narrates us through his attempts at managing his career, child and love life.  It’s as quick witted as you’ve come to expect from SC Diet, to the brim with quoteable one liners and back and forth.  The cast absolutely excels in their delivery of the ridiculous dialogue while all managing to be charming.  On top of that, it is absolutely silly and over the top and calls out all those weird office tropes that your colleagues seem to think are normal.  (We are all Linda).

This 2 season show is somehow still not on Netflix, so let’s start the campaign to get it there, considering SC Diet seems to be doing pretttty well.  Also, the fake company commercials are so good as a standalone mini series.

Great if you liked: Santa Clarita Diet, Arrested Development, It’s Always Sunny in Philadelphia, The Office, Community, 30 Rock, Parks and Recreation, Archer

Trick ‘r Treat

First of all, Happy highest of the holidays, Halloween.
If you’re anything like me, you have been crushing horror all month long and are looking for an exciting finale.
I spent my weekend re-watching the Freddy franchise, and hitting up some new (pretty dope) horror with Oculus.
But tonight is the night for a lesser known hallo-flick, that is a certifiable cult classic, Trick ‘r Treat.

This bizarre anthology tells five interwoven stories of Halloween mayhem.  A couple face some fright after one disrespects the hallow-rules, a boring white collar moonlights as something more sinister, a group of gals hit the town looking for dates, some bullies get what’s coming and a living infamous man is tormented by the fan favourite “interwoven” demon.

It’s a bit gory, kinda scary, VERY Halloween-y, and full of laughs… if you’re morbid.  The fun part is that it is a laugh full of surprises, that are actually kind of scary.  To the point you can’t tell if you feel right having nightmares or not. You can also feel the cast having fun as their ‘psycho’ alter egoes.

It’s super weird and can sit right up there with other Halloween cult faves you’ve watched to death.  I’ve certainly added it to my October ritual. It WILL remind you to respect Halloween customs and it also contains one of the all time best werewolf transformations.

Excellent if you liked: Four Rooms, Krampus, The Nightmare Before Christmas, Hocus Pocus, Gremlins, Vampire’s Suck, What We Do in the Shadows, Grindhouse, From Dusk ‘Til Dawn.

The Final Girls

Look, if you’re really looking towards full Hallowe’en horror, I don’t need to be the one to tell you to fire up “Halloween,” “Friday the 13th,” or “A Nightmare on Elm Street.”  (And if I do, please stop what you’re doing and marathon those real quick and then come on back.)

Since I expect you’ve already watched (and loved) those franchises in their entirety, I bring you the camp horror comedy that plays to my all time favourite trope, The Final Girls.

Carpenter’s original “Halloween,” is a horror ‘mother movie’ ™ that sparked an onslaught of horror franchises and the meta/camp ones that followed. (re: Scream).  On purpose or not, it created the trope of the final girl; the, often ‘virginal,’ girl who outlasts everyone and comes up against the slashing killer in one climactic stand off.

The Final Girls uses this trope, among others, to give us a comedic camp horror film filled to the brim with heart.

Max loses her mom, Amanda, at a young age.  Amanda is famous for playing a cult classic scream queen named Nancy. (Nancy.  Guys.).  Every year, the local theater screens the cult classic, and Max struggles with it and the memory of her mother.

While in attendance at the screening, Max and her friends somehow end up in the move (read: Last Action Hero), surrounded by your horror movie tropes, and the final girl, Nancy.  Max and her friends have to team up with the characters to defeat the weapon wielding slasher and end the film.

While it spreads across much of the genre, this film feels the most like Friday the 13th complete with a Jason style killer.  It let’s the characters take back their tropes as a means of surviving to the end of the film.  The slutty chick who gets killed whilst being slutty? Taken back by Angela Trimbur, who, upon learning of her part, gives an amazing performance in the way of a sacrificial sexy strip tease to lure the killer to the campers.  (Her dance is unbelievable, and arguably feminist in her taking back her sexuality as a means of tackling the killer, over a character being reduced to an over-sexualized victim).

The Final Girls is a fun romp for all horror fans, is heartbreaking, is moving, is cute, is hilarious, and is kinda scary.  No doubt the medicine for the genre fan who’s seen it all.

Great if you liked: Friday the 13th, Halloween, A Nightmare on Elm Street, The Guest, Green Room, Grindhouse, Last Action Hero

The Way Way Back

It’s the end of September, and I am already on my Hallowe’en horror grind.  It is taking a lot out of me to push back some great horror posts in favour of something a little more reminiscent of the waning Summer.

From Jim Rash and Nat Faxon, names you’ll recognize from The Descendants, comes the “coming of age” summer flick, The Way Way Back.  It’s just what you need to hold on the fleeting feeling of pool days.

Duncan, 14, goes on summer vacation with his mom, her overbearing boyfriend, and his daughter. Behind everyone’s back, he gets a job at the local water park, Water Wizz and befriends the “man child” of an owner, Owen.

Duncan’s self esteem is shot by his mother’s boyfriend, and the pretty girl next door.  At Water Wizz, he makes some unlikely friends and finds some purpose.

A recognizable cast including Steve Carell as big bad boyfriend, Sam Rockwell as Owen (one of the 3 most underrated actors of our time), Toni Collette as “the mom,” Allison Janney, and Liam James as Duncan.

This realistic coming of age comedy is overwhelmingly warm.  Duncan’s smiles are so genuine when in his own, and it’s something you can really sense.

Amazing if you liked Juno, Little Miss Sunshine, The Perks of Being a Wallflower, 500 Days of Summer, Moonrise Kingdom.