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War on Everyone

In a love letter to the buddy cop films of the 60’s, War on Everyone takes the genre to the dark places Rush Hour doesn’t. (New to Netflix which is exciting yo).

Writer/ director John Michael McDonagh (brother of Martin McDonagh of In Bruges and Seven Psychopaths) is an Irish movie thoroughbred making this his American film debut.  And boy, can you ever sense it.  This film spills over with Irish style humour you’ll recognize from your McDonagh brother favourites, which can be jarring in an American accent if I’m being really honest.

Honestly, Michael Peña to everyone else; do you even buddy cop?  In another film that turns buddy cop on its nose, End of Watch, this guy shines bright like a diamond.  This perfect pair up brings the comedy in this somewhat twisted flick.

Much like it’s buddy cop counter parts, War on Everyone isn’t winning any awards for ‘political correctness,’ but it approaches that style of humour through the right lens (in my humble opinion) and lets you laugh (this is a discussion for another time but I am happy to have it.  In a word, my thoughts are that there’s a difference between being in on the joke and the joke relying on an offensive premise).  There’s not much more to say than that if you wanted an Irish/ British approach to the buddy cop genre, by which I mean it’s grittier and more taboo, with a shockingly perfect cast, this is it, buddy.  It also includes easily my top 5 favourite one liner of all time and it’s killing me not to spoil it.

Great if you liked: End of Watch, In Bruges, Seven Psychopaths, Snatch, Lock Stock and Two Smoking Barrels, Layer Cake, Rush Hour, Shanghai Noon

 

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Funny Games

Image result for funny games movie posterListen, you get it. This is a horror game, so as soon as I post something not horror (below), I need to sandwich it so it looks like my tastes are diverse.
So today, we are taking it back to scary with Funny Games.

Before Michael Pitt shook his creep persona from Murder by Numbers and started stealing hearts and liquor as Jimmy Dormody, and before The Strangers was serving us creepy home invasion realness, there was Funny Games. (In fact, even 10 years before that, there was the original).

If you ask me, horror is mostly fun because it is gratuitous and unbeleivable.  But the home invasion sub-gendre scares me top to bottom for it’s ability to seem absolutely plausible.  Funny Games takes it even further by pulling this sh** in the daylight. *Full body shudder.*

Sadistic Peter and Paul come across the vacation home of a family of three, and take them hostage, forcing them to participate in twisted games.  The simplicity of this take on the invasion, paired with the sadistic games, daylight, and helplessness of a family not expecting such an attack makes this film so scary.  There is a sense of dread associated with not being prepared for the very simple attack of two unarmed intruders.

Intentionally or not, this serves up the psychotic scare reminiscent of A Clockwork Orange, made more familiar in the psychos’ all white outfits and use of objects for beatings.

While not the penultimate home invasion movie, this certainly stirred up my own fear, and features great performances, including that of Naomi Watts and Tim Roth, masters of the creep, in protagonist positions.

Watch this whatever time of day you want, because it is not going to make daylight feel safe for you anyway.

Great if you liked: The Strangers, A Clockwork Orange, Copycat, Last House on the Left, Vacancy, The Collector, Panic Room, You’re Next, Cape Fear, Fatal Attraction

The Grand Seduction

It’s Thursday.  I treated myself to some banana cake because I deserve it.  You know what you deserve?  Something feel good.

I’ve said this over and over, so many hidden gems tend to be horror and sci fi, and while those are my favourite, so no complaints, it leaves little room for your nice warm and fuzzies.  Well this early Spring Thursday, I bring you a warm and fuzzy by way of The Grand Seduction.

I know what you’re thinking, “I see Taylor Kitsch as a doctor.  I am sold.  Say no more!”  BUT WAIT, THERE’S MORE.

In Eastern Canada (Newfoundland, specifically), there is a strange abundance of Irish accents and fishing towns.  This fishing village is in desperate need of jobs, jobs that would come with the building of a new factory.  In order to get the factory in their village, they’ll have to get the numbers, get the workers, get the space, and get a permanent doctor.  After getting into some trouble with the law, Dr. Paul Lewis is sent to the town to temporarily fill in as their full time medic.  The people of the village, desperate to get him to stay, plot to sell their charming village to the good doc by any means necessary.

Yep, it’s pretty creepy, and the villagers are nothing short of that.  But this incredibly cute story shows the will and determination of a village coming together to save what they have by any means necessary.  The cast is as charming as the town their trying to protect.  You might even be convinced to visit…. unless you like ethnic food and 40 hipster coffee joints on every corner (which I do, so… not for me).  Even Kitsch totally sells it as a caring and charming doc, made to blush when flattered by the ladies.

This departure from your average romantic comedy or slapstick laugh fest is a super cute and super unique feel good laugh.  I almost struggle to compare it to a mainstream you’re likely to have seen.  This is what “charm” looks like on screen, and you deserve that on a Thursday. (Fun fact, this appears to be a remake).  Learn more about the wonderful province of NL here.

Great if you liked: The Way Way Back, honestly, I have no idea, this is such a departure from anything I have seen…