comedy

‘Bad Shabbos’ is a Gas

Menemsha Films

There’s enough reason to be tense about a meeting of future in laws, or machatunim if we’re being precise, without manslaughter but what’s a dead body between family? Bad Shabbos, a black comedy from Zack Weiner and Daniel Robbins, ups the ante on a religious standoff over family dinner by adding an accidental death that might look like a murder if it was revealed. Nervous guests and family dynamics are pushed to their anxious brink as they individually, then as a group, decide how to handle a stinky corpse hanging out in the powder room.

David (Jon Bass) and Meg (Meghan Leathers) are planning to get married, which requires Meg to begin the process of conversion in order to satisfy Jon and his modern religious family. In order to smooth the transition, they’ve invited Meg’s parents to Friday night dinner at David’s parents’ place so everyone can meet and her parents can get a sense of the tradition. Tensions are already high with Jon’s mother (Kyra Sedgwick) being less than accepting of Meg, Jon’s brother, Adam (Theo Taplitz), being a medicated foil to social situations, and Jon’s sister, Abby (Milana Vayntrub), sparring with her partner, Ben (Ashley Zukerman) who doesn’t seem to get along with anyone. After Ben clashes with Adam, Adam cooks up a scheme to dose him with his prescription laxative. But Adam somehow doesn’t know about Ben’s congenital digestive issues, and the cocktail of medication and dairy products knocks Ben off his balance and into the bathroom fixtures. Discovering his dead body, the siblings decide to protect Adam by covering it up and then are forced to do so during a hectic dinner where dynamics and relationships are already being tested.

The sprawling apartment, the countdown until Meg’s parents’ door knock, and a helpful doorman (Method Man), will all keep the bickering family on their toes as they navigate how to handle the tell-tale heart no longer beating in their powder room. That’s what creates the tension and allows for the comedy to spill over and into the New York City high rise.

Bad Shabbos wants us to laugh until we maybe toot and it’s mostly successful. Panicking family members and the comedic chops of people like Vayntrub and Method Man make for the tense kinds of laughs you want in this single location bruhaha. It’s not quite Clue or an Agatha Christie story, but it doesn’t seem to be trying to be more than a good old cluster of calamities where everyone is in on information at different times. It’s a less bloody version of a movie like Happy Times (2019), which sits closer to “comedy” on the “black comedy” spectrum making it easier to recommend to your extended family.

While there are certainly laughs to be had, much of Bad Shabbos relies on some outdated Jewish jokes and tropes about Jewish mothers it might be time to move on from. Jokes about the banks, the media, and unaccepting mothers are tired, but perhaps Bad Shabbos is taking ownership of them or exploring a personal experience that I can’t invalidate.

Bad Shabbos is an imperfect single location black comedy but one I am so happy exists. Clashing cultures, relationship and family dynamics, and tight dinner quarters are always ripe for solid explorations and gags, but chucking in a dead guy and an implicated murderer ups every version of that ante. For those looking for a harmless laugh, especially one about their own culture or similar experience with one, Bad Shabbos is a little delight, and a bit of a love note to the Jews of NY.

Bad Shabbos opens in NYC May 23, 2025 and LA and select cities on June 6, 2025

‘Novocaine’ Wants to Remind You of When Action Movies Were Fun

Jack Quaid as “Nate” in Novocaine from Paramount Pictures.

That’s not to say that directors, Dan Berk and Robert Olsen, are the only ones out here trying to thrust movie watchers back into the action movies of yore. Michael Bay and Doug Liman have been trying the same with films like AmbuLAnce and Road House. So with a surprising twist on the action comedy toned with splatstick comes Novocaine, a blood-soaked action comedy that breaks through the chains of midnighters.

Jack Quaid and his overflowing charm lead as Nathan Caine, the mild-mannered bank assistant manager living his life within the confines created by his condition. Caine can’t feel pain, so to avoid any life-threatening accidents, he lives life in a box made of smoothies (he could bite his tongue if he chews!), watered down coffee, and tennis balls acting as metaphorical and literal guardrails. Caine’s life finally gets tastier when he meets Sherry (Amber Midthunder), a colleague with a forkful of cherry pie and a whole other experience with self-inflicted pain. When their bank is robbed and Sherry is taken hostage, Caine uses his condition as his superpower and takes every kick, punch, bullet, and burn with ease and valour so he can rescue his dame.

The simple set up sends the every-man into the underworld fray, but Novocaine is more than just an average Joe taking on unreal baddies. It takes that premise and mixes in some gnarly gore (with this and The Monkey, those of us who laugh at good gore are having a great year), and a host of tropes that feel ripped from 80s action films. Its early reveal is massively forecast but simultaneously difficult to see until you clue into the sort of film you’re watching. Its gory midsection is sometimes tiresome but does its best to stay fresh, then the third act barrels into throwback action that’ll leave a queasy audience ready to cheer.

Novocaine almost never asks you to take it seriously which is to its own detriment. Dancing a little bit too close to parody, it stuffs the film with a comedy version of a cliched cop partnered with a serious version of one who still seems completely inept at police work. Pit them against the world’s dumbest and most brash bank robbers (seriously, they could learn restraint from the robbers in Point Break), and I guess you can see why the skinny bank manager would take this battle on his own.  It makes the lore of the cops and robbers difficult to buy into and sucks some of the comedy out of Caine’s splatter parade by being a bit too dumb. It’s perhaps worth it to see Ray Nicholson go full Bodhi but he is not given room to be Sonny Wortzick.

While it’s tempting to compare Novocaine to the other average Joe movies that succeeded John Wick, it’s much more on a plane with Baby Driver and Boy Kills World where a guy with a particularly special skill takes on larger than life villains with a specific motivation, the whole affair being brightly lit with saturated colours (that really make that red blood pop). Novocaine isn’t the next in line of average Joe shot-em-ups, it’s a reminder of a time where the best movies had action stars dangling off the sides of a city bus.

Novocaine hits theaters March 14, 2025.

‘Stranger Sings! The Parody Musical’ is a Balm for the Binge-Watcher

If you’re in Toronto and twiddling your thumbs to pass the time between now and the fifth season of Stranger Things, then you might want to pop by the Randolph Theatre. On the heels of parody musical shows like ‘Evil Dead: The Musical’ (which graced the same Toronto stage), comes this campy sing-songy riff on one of the most watched Netflix series.

Per their release, the stage production is hot off… Off-Broadway and ready to play to a converted church full of Torontonians:

After its successful Off-Broadway run, where it won seven Broadway World Awards (including Best Musical), this hilarious ‘80s-infused parody of Stranger Things is making its Toronto debut with an all-Canadian cast (after previously performing at Oshawa’s Regent Theatre this summer). The timing couldn’t be better, with Season 5 of Stranger Things on the horizon too.

Mostly covering only the show’s first season (save for some nods to a hunky lifeguard, a brooding red head, and a member of the Hellfire Club), this musical is very accessible and doesn’t require a learned or studied level of fandom to feel in on the jokes. That said, there are plenty of easter eggs for eagle eyed fans who come ready to engage with the winking version of the show.

The Canadian cast seems to have a blast performing each track, with standouts like the opening number and Barb’s (Sydney Gauvin) epic solo. While the whole cast brings the comedy-musical noise, cast standouts are the “boys” (Jean Bladon, Charlie Clements, and Alekzander Rosolowski as Dustin, Lucas, and Mike respectively). They toggle so well between delivering lines like twenty-somethings pretending to be teens pretending to be kids and belting genre-bending tunes, you’ll be surprised they can continue to impress with their dance moves.

‘Stranger Sings! The Parody Musical’ is a gut busting love letter to your favourite Demagorgan-laden show which is what makes it a successful parody. Winking at something you love as a means to take the piss out of it is the kind of gag fans can get in on without ever isolating casual viewers. If you like live theater, having a laugh, and watching people frantically change wigs between beats, then this stage play is one of the better ways you can spend an evening in YYZ.

For more details, showtimes, etc. head to their official page.

‘Rumours’ is the Solution to Crafting Political Satire in the 2020s

What’s that quote about how no one knows what they’re doing, we’re all just pretending? You know the one. The one that resonates when you realize you’re suddenly an adult and you have no idea what you’re doing. That further resonates when you realize your parents aren’t omniscient. And even further when you realize that the people in charge of everything are literally clueless. Take that horrifying thought and imagine your G7 leaders managing another global crisis from their towers before being thrust from them and directly into another one. That’s the black comedy painted all over Rumours, a gut busting political satire from Canadian creators, Guy Maddin, Evan Johnson, and Galen Johnson.

Political satire will always be timely, but Rumours picks at the fresh wounds of the pandemic, climate change disasters, and the wars abroad. Maddin and co imagine our most prominent leaders as immature, petulant, windbags who spend more time sipping wine and drafting hollow statements than they do taking any real action against crises. They’re not faces of evil per se, but they’re gutless ivory tower dwellers full of so much hot air, they almost float, and they’re otherwise as unequipped as the rest of us.

The eclectic cast is clutched together by Kate Blanchette’s star power and accent proficiency, her as the sharp German Chancellor surrounded by a hopeless romantic Canadian Prime Minister (Roy Dupuis as Maxime Laplace), a barely conscious and babbling American President (Charles Dance as Edison Wolcott), a nervous bumbling English Prime Minister (Nikki Amuka-Bird as Cardosa Dewindt, and further securing herself as the queen of awkward, weird, dry comedy), the irreverent and hard to pin down President of France (Denis Ménochet as Sylvain Broulez), the vapid Italian Prime Minister (Rolando Ravello as Antonio Lamorte), and the frantic fly on the wall Prime Minister of Japan (Takehiro Hira as Tatsuro Iwasaki). They’ve assembled in a protected manor in Germany to strategize and prepare a statement for an unspecified global crisis. While the world is implied to be dealing with one thing or another, they gather over wine glasses, notepads, and the uncomfortable social situation created by the weeping Canadian PM struggling with his love life. It’s all vapid and fluffy and the “strategy” seems completely secondary to their social structure and personal matters. That is until they find themselves alone (which they notice as no one seems to be refilling their wine glasses) and surrounded by dripping zombies.

If you can imagine it, world leaders land smack in the middle of a real crisis and their notepads are insufficient protection from the fold. That’s where the Canadian creators find their comedy, not only in the social satire about hapless leaders but in seeing them clunk around in high heels with shapely haircuts trying to defend themselves from monsters. It’s as much an Iannucci political satire as it is Mars Attacks. And with the former comes the crackling dryness which works until it doesn’t. Blanchett walking gingerly in smart dress shoes and managing the crew’s emotions is what trailer clip dreams are made of, but the gag loses freshness around the midpoint, only saved by the sudden appearance of Alica Viaknder as the representative of the European Union. Surprise guests, though, unfortunately can’t keep the back half afloat but the film has earned enough good will by then to keep your attention.

Rumours is the bridge between weird cinema and overt political commentary that 2020s earth inhabitants crave- it lampoons our world leaders but creates a situation remote enough from reality to allow for brainless (non-literally…) laughs. I mean, unless you count how close the Canadian and American reps are to their Earth-1 counterparts but let’s not get into it.

Rumours hits theaters October 18, 2024. 

War on Everyone

In a love letter to the buddy cop films of the 60’s, War on Everyone takes the genre to the dark places Rush Hour doesn’t. (New to Netflix which is exciting yo).

Writer/ director John Michael McDonagh (brother of Martin McDonagh of In Bruges and Seven Psychopaths) is an Irish movie thoroughbred making this his American film debut.  And boy, can you ever sense it.  This film spills over with Irish style humour you’ll recognize from your McDonagh brother favourites, which can be jarring in an American accent if I’m being really honest.

Honestly, Michael Peña to everyone else; do you even buddy cop?  In another film that turns buddy cop on its nose, End of Watch, this guy shines bright like a diamond.  This perfect pair up brings the comedy in this somewhat twisted flick.

Much like it’s buddy cop counter parts, War on Everyone isn’t winning any awards for ‘political correctness,’ but it approaches that style of humour through the right lens (in my humble opinion) and lets you laugh (this is a discussion for another time but I am happy to have it.  In a word, my thoughts are that there’s a difference between being in on the joke and the joke relying on an offensive premise).  There’s not much more to say than that if you wanted an Irish/ British approach to the buddy cop genre, by which I mean it’s grittier and more taboo, with a shockingly perfect cast, this is it, buddy.  It also includes easily my top 5 favourite one liner of all time and it’s killing me not to spoil it.

Great if you liked: End of Watch, In Bruges, Seven Psychopaths, Snatch, Lock Stock and Two Smoking Barrels, Layer Cake, Rush Hour, Shanghai Noon

 

The Grand Seduction

It’s Thursday.  I treated myself to some banana cake because I deserve it.  You know what you deserve?  Something feel good.

I’ve said this over and over, so many hidden gems tend to be horror and sci fi, and while those are my favourite, so no complaints, it leaves little room for your nice warm and fuzzies.  Well this early Spring Thursday, I bring you a warm and fuzzy by way of The Grand Seduction.

I know what you’re thinking, “I see Taylor Kitsch as a doctor.  I am sold.  Say no more!”  BUT WAIT, THERE’S MORE.

In Eastern Canada (Newfoundland, specifically), there is a strange abundance of Irish accents and fishing towns.  This fishing village is in desperate need of jobs, jobs that would come with the building of a new factory.  In order to get the factory in their village, they’ll have to get the numbers, get the workers, get the space, and get a permanent doctor.  After getting into some trouble with the law, Dr. Paul Lewis is sent to the town to temporarily fill in as their full time medic.  The people of the village, desperate to get him to stay, plot to sell their charming village to the good doc by any means necessary.

Yep, it’s pretty creepy, and the villagers are nothing short of that.  But this incredibly cute story shows the will and determination of a village coming together to save what they have by any means necessary.  The cast is as charming as the town their trying to protect.  You might even be convinced to visit…. unless you like ethnic food and 40 hipster coffee joints on every corner (which I do, so… not for me).  Even Kitsch totally sells it as a caring and charming doc, made to blush when flattered by the ladies.

This departure from your average romantic comedy or slapstick laugh fest is a super cute and super unique feel good laugh.  I almost struggle to compare it to a mainstream you’re likely to have seen.  This is what “charm” looks like on screen, and you deserve that on a Thursday. (Fun fact, this appears to be a remake).  Learn more about the wonderful province of NL here.

Great if you liked: The Way Way Back, honestly, I have no idea, this is such a departure from anything I have seen…

Better Off Ted

If you haven’t yet submitted to the mania of Santa Clarita Diet, I suggest you get on it.  The Netflix comedy has me in stitches and I’ve watched it through more than once by now.  Which is why it came as no surprise to me that the show’s creator,  Victor Fresco, is also responsible for one of my favourite lesser known sitcoms, Better Off Ted.

I was introduced to this parody of office culture while nuts deep in a ridiculous office job selling “smart solutions to optimize efficiency.”  Buzz business words that business people don’t think are funny were my jam, so this show hit the sweet spot.

This quick witted comedy focuses on Ted, a VP at a parody of a multinational conglomerate in charge of research and development.  The single father narrates us through his attempts at managing his career, child and love life.  It’s as quick witted as you’ve come to expect from SC Diet, to the brim with quoteable one liners and back and forth.  The cast absolutely excels in their delivery of the ridiculous dialogue while all managing to be charming.  On top of that, it is absolutely silly and over the top and calls out all those weird office tropes that your colleagues seem to think are normal.  (We are all Linda).

This 2 season show is somehow still not on Netflix, so let’s start the campaign to get it there, considering SC Diet seems to be doing pretttty well.  Also, the fake company commercials are so good as a standalone mini series.

Great if you liked: Santa Clarita Diet, Arrested Development, It’s Always Sunny in Philadelphia, The Office, Community, 30 Rock, Parks and Recreation, Archer

Southland Tales

Guys, I am still pretty sure the end of the world is imminent, and we’re way passed Idiocracy.

I give you a less comedic, and yet, completely insane telling of the world’s ultimate demise, Southland Tales. “Not with a whimper, with a bang.”

Set in an alternate LA just before July 4, 2008, this flick tells the interwoven stories of an amnesiac action star (The Rock), a police officer (Sean William Scott), a tripped out soldier (Justin Timberlake), a porn star (Sarah Michelle Gellar), and, I don’t know, half the cast of SNL and a gaggle of B list stars, teeing up to a 4th of July celebration that may or may not be the apocalypse.

From the mindhouse of the guy behind Donnie Darko, this bent timeline ensemble is an insanely fun star studded romp that, while pretty out there, rings a little bit true.  Made in 2007, the porn star trying to get a reality show story seemed somewhat far fetched.  Call in 2016, and the satirical alternate LA seems all too real.

Aside from it’s… story, this movie is also a lot of fun when treated like an anthology of scenes.  It has the futuristic campness of an acid trip Blade Runner, a soundtrack that dreams are made of, and scenes that could be standalone short films.  Timberlake has a music video like interlude that is his complete antithesis and, alone, is a great film. (See below if you need convincing)…. (Honestly, it could be a standalone short film about a veteran returning from war, turning to illegitimate work after being left behind by the government after a war injury, PTSD, valuing over masculinity, and vets turning to drugs.  And watch Justin do his best to hide his Justin-ness, and at 2:40, let his Justin-ness spill over into a casual dance move).

It’s campy.  It’s crazy.  It’s real.  It’s allegorical.  It’s biblical. It’s a TRIP. It’s full of space and future bullshit.  It’s sci fi.  It’s comedy. It’s star studded. Honestly, look at the cast.  Most are bona fide standalone characters, but it also gives it that “everyone in hollywood showed up to add a layer of cameo” vibe from bonkers flicks like Jay and Silent Bob Strike Back. It’s also full of quotes that are completely unquotable and yet, you’ll want them on an inspirational poster.

It’s also pretty long and comes with a comic book prequel, so save it for a Sunday if you’re willing to dive right in.

Great if you liked: Blade Runner, Idiocracy, Donnie Darko, Dr. Strangelove

Idiocracy

When news of the fact that the writers of Idiocracy were making political ads starring Terry Crews, I knew it was high time I brought this one up.

It’s 2016 North America, and the unfortunate truth is that Idiocracy seems very real.

Luke Wilson stars as a literal average Joe.  Along with a “lady of the night,” (Maya Rudolph) he enlists in a military program to be cryogenically frozen, and wakes up 500 years later in a very different version of America.  The film posits that since those with lower intelligence tend to have more children, humans evolve to be, well, pretty dumb.

Suddenly, Joe is the smartest man on earth.

After a few mishaps, Joe is on the run from the government, but is also the only man alive smart enough to help the downward spiraling future.  Crops are dying, since they’ve only been fed Brawndo (it’s got electrolytes!), the world has become a messy Costco, and the doctors and lawyers? You’ll see. Also, Terry Crews plays the president.

This is a guilty pleasure flick that boarders on the offensive, and in doing so, paints a very real picture of the scary future.  I thought The Purge: Election Year was a pretty solid warning…. but this might be even more accurate. Along with the preview below, I post this opening scene…. enjoy.

https://www.youtube.com/watch?v=icmRCixQrx8

Great if you liked: Futurama, The Hitchhikers Guide to the Galaxy, Galaxy Quest, Space Balls, Office Space

The Guest

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I have been on quite a classic horror binge as of late, which is a great way to remind myself of all of the amazing tropes parodied by my favourite genre: modern camp horror.

Few have done camp horror quite as well as Adam Wingard and Simon Barrett, the writer director duo behind The Guest.

Coming off the success of their sleeper hit, You’re Next, the duo took their new found big budget and turned it into the camp horror dreams were made of (and then sprinkled in a bunch of action).

Dan Stevens (of Downton Abbey fame) stars as “David,” a soldier returning from active duty and visiting the family of his fallen platoon member.  The Peterson family invites David to stay with them for a few days, where slowly his strange behaviour begins to show its face, mostly to the daughter, a teenage waitress forced to have David tag-a-long in her day to day life as a social high schooler.

This flick dives so far into awesome camp that it is mashing of two of my all time favourite films, Terminator 2 and Halloween, which is somehow also funny, and goes next level into some Jason Bourne, and German Sci Fi places.

Every detail makes this film fun, from the classic 80’s style euro synth music, to the long shots of solo characters.  You won’t know whether to love or hate David, but you’ll definitely want to recycle some of his lines to sound cool (re: ‘cash is easy to get’ and ‘awesome’).  It’s also a great spot for Maika Monroe who is quickly making her name as the Scream Queen of the Y generation.

Great if you liked: You’re Next, Halloween, A Nightmare on Elm Street, Friday the 13th, It Follows, The Final Girls, V/H/S, Rec, The Strangers, Terminator, Terminator 2