movie

‘Rumours’ is the Solution to Crafting Political Satire in the 2020s

What’s that quote about how no one knows what they’re doing, we’re all just pretending? You know the one. The one that resonates when you realize you’re suddenly an adult and you have no idea what you’re doing. That further resonates when you realize your parents aren’t omniscient. And even further when you realize that the people in charge of everything are literally clueless. Take that horrifying thought and imagine your G7 leaders managing another global crisis from their towers before being thrust from them and directly into another one. That’s the black comedy painted all over Rumours, a gut busting political satire from Canadian creators, Guy Maddin, Evan Johnson, and Galen Johnson.

Political satire will always be timely, but Rumours picks at the fresh wounds of the pandemic, climate change disasters, and the wars abroad. Maddin and co imagine our most prominent leaders as immature, petulant, windbags who spend more time sipping wine and drafting hollow statements than they do taking any real action against crises. They’re not faces of evil per se, but they’re gutless ivory tower dwellers full of so much hot air, they almost float, and they’re otherwise as unequipped as the rest of us.

The eclectic cast is clutched together by Kate Blanchette’s star power and accent proficiency, her as the sharp German Chancellor surrounded by a hopeless romantic Canadian Prime Minister (Roy Dupuis as Maxime Laplace), a barely conscious and babbling American President (Charles Dance as Edison Wolcott), a nervous bumbling English Prime Minister (Nikki Amuka-Bird as Cardosa Dewindt, and further securing herself as the queen of awkward, weird, dry comedy), the irreverent and hard to pin down President of France (Denis Ménochet as Sylvain Broulez), the vapid Italian Prime Minister (Rolando Ravello as Antonio Lamorte), and the frantic fly on the wall Prime Minister of Japan (Takehiro Hira as Tatsuro Iwasaki). They’ve assembled in a protected manor in Germany to strategize and prepare a statement for an unspecified global crisis. While the world is implied to be dealing with one thing or another, they gather over wine glasses, notepads, and the uncomfortable social situation created by the weeping Canadian PM struggling with his love life. It’s all vapid and fluffy and the “strategy” seems completely secondary to their social structure and personal matters. That is until they find themselves alone (which they notice as no one seems to be refilling their wine glasses) and surrounded by dripping zombies.

If you can imagine it, world leaders land smack in the middle of a real crisis and their notepads are insufficient protection from the fold. That’s where the Canadian creators find their comedy, not only in the social satire about hapless leaders but in seeing them clunk around in high heels with shapely haircuts trying to defend themselves from monsters. It’s as much an Iannucci political satire as it is Mars Attacks. And with the former comes the crackling dryness which works until it doesn’t. Blanchett walking gingerly in smart dress shoes and managing the crew’s emotions is what trailer clip dreams are made of, but the gag loses freshness around the midpoint, only saved by the sudden appearance of Alica Viaknder as the representative of the European Union. Surprise guests, though, unfortunately can’t keep the back half afloat but the film has earned enough good will by then to keep your attention.

Rumours is the bridge between weird cinema and overt political commentary that 2020s earth inhabitants crave- it lampoons our world leaders but creates a situation remote enough from reality to allow for brainless (non-literally…) laughs. I mean, unless you count how close the Canadian and American reps are to their Earth-1 counterparts but let’s not get into it.

Rumours hits theaters October 18, 2024. 

HOLLYWOOD SUITE Releases their Shocktober Lineup

Canadian cinephiles’ favourite streaming service is back with their holiday (spooky season, that is) programming. Beginning October 1, Hollywood Suite will have their full Shocktober lineup available for channel surfing and streaming (your choice of consumption may vary).

Check out the full list of titles which will be on demand this October on Hollywood Suite with my Hot Picks noted in bold.
(I watch The Guest every Devil’s Night so that one is a no-brainer)

30 Days of Night (2007)Prince of Darkness (1987)
A Nightmare on Elm Street (1984)Ouija: Origin of Evil (2016)
A Nightmare on Elm Street 3: Dream Warriors (1987)Peeping Tom (1960)
Black Christmas (1974)Pan’s Labyrinth (2006)
Blacula (1972)Saw (2004)
Blade (1998)Scream (1996)
Carrie (2013)Seed of Chucky (2004)
Christine (1983)Sinister (2012)
Crimson Peak (2015)Texas Chainsaw Massacre: The Next Generation (1995)
Critters (1986)The Evil Dead (1981)
Don’t Look Now (1973)The Fly (1986)
Evil Dead (2013)The Guest (2014)
Fright Night (1985)The Innocents (1961)
Halloween H20: 20 Years Later (1998)The Omen (1976)
Halloween III: Season of the Witch (1982)The Purge (2013)
Halloween: Resurrection (2002)The Return of the Living Dead (1985)
House on Haunted Hill (1959)The Serpent and the Rainbow (1988)
Interview with the Vampire (1994)The Texas Chainsaw Massacre (2003)
Jennifer’s Body (2009)Tim Burton’s Corpse Bride (2005)
Killer Klowns From Outer Space (1988)Urban Legend (1998)

The Belko Experiment

Image result for the belko experimentI can hardly count how many movies I have said were my “best Midnight Madness experience ever” at this point.  But if there is a film that fits the bill of quality, gore, fear and sheer madness that works so well with the live tiff Midnight crown, it’s The Belko Experiment.

I went into this one like “oh, cute, the guy from The Newsroom is in it.” The world building is so strong, that a quick opening montage and you are right on board with this spooky corporate allegory and you know this will be far from “cute.”

Americans are recruited to work at a cushy office in Colombia.  Over the top security is justified by the dangerous area and workers are treated to the cliche office of their dreams.  When the building locks down and  a mysterious voice floods the intercoms demanding employees participate in a bloody game, the foreseeable chaos ensues.

This Battle Royale meets Office Space take isn’t the only one of its kind, but it is no doubt the most successful.  It is the absolute best blend of gore and fear, completely balanced to keep it a legit thriller despite the splashing blood.  It also prompted me to update my zombie contingency plan for the office.  My monitor riser makes an amazing shield.

Great if you liked: Battle Royale, The Hunger Games, Mom and Dad, Shaun of the Dead, Mayhem, The Final Girls

 

Tusk

Image result for tusk posterIt’s weird when a movie comes in cold, expecting to become a cult classic later in its life.  This questionable strategy, surely, and lead to a pretty disappointing opening for this Kevin Smith joint, but as it bubbles under the surface, showing up on Netflix, Tusk might slip right into cult fave status.

Based on a random discussion had on Smith’s podcast, this film follows a podcaster who seeks out a mysterious recluse with an affinity for Walruses.

It’s certainly scary, with the podcaster quickly becoming a hostage, but it’s also weird, wild, and funny.  I don’t know if I would call it a horror comedy, since it is something else entirely.  Not playing on tropes, but creating its own new weirdness, Tusk will make you laugh, but also feel full blown dread.

The performances are as weird as the subject matter, and the ending is a… lark. Check it out.

Great if you liked: Clerks, Inglorious Basterds, Zombieland, Yoga Hosers, Warm Bodies, Mom and Dad, Dogma

In a Valley of Violence

Image result for in a valley of violenceThere are always moments when I bring up Westworld and someone responds “I don’t like Westerns.”  And often, I retort “well it’s more of a Sci-Fi than it is a Western.”  But, as someone who also never liked Westerns, I think I need a new retort.  Maybe I watched the wrong kind.

In a Valley of Violence is the right kind.  I saw this at a small festival for the sole reason that I trust Ethan Hawke.  Predestination had played the year before at the same fest and I wanted more of that.   I was totally blown away by how much fun Valley was and was revitalized in a desire to watch some cowboys.  The cast acts the hell out of this off beat script and it results in a real delight. It has all the ‘dog protectiness’ of John Wick and the “this dude made a western?” of The Quick and the Dead.

This is usually where I put the short synopsis to prime you for the flick, but it honestly would be really difficult to narrow this down to a few sentences.  In the tradition of a Western, rising actions are numerous.  The mysterious Paul stumbles across a town en route to Mexico where they run into this priest, and there are these girls, and a cop, and something about being an army deserter, I don’t know. Just trust this one.

Great if you liked: No Country for Old Men, John Wick, The Quick and the Dead, There will be Blood, The Good the Bad and the Ugly, Gangs of New York

Mom and Dad

Image result for mom and dad posterThere is a lot of buzz about Nicholas Cage and his horror chops these days with the release of the Mandy trailer.  Nick showcases some pretty spooky scary screams in that joint, and is being praised for his self aware “Cageiest performance ever.”  But for those of us that saw Mom and Dad, Cage going… full Cage… in horror is nothing so new.

This one part The Crazies and one part Santa Clarita Diet flick is the most fun you’ll have watching suburban parents try to slaughter their own children.

When an unknown cause inflicts a suburban town, parents are suddenly hit with an insatiable need to kill their own children.  Children left to fend for themselves, desperately cling to life by fighting back at their own parents.  Carl and Josh must survive this impossible day by using everything they know about their own family to fend off their murderous mom and dad.

This obscene horror comedy is so much more.  It serves as a blatant allegory for the stresses of being a suburban parent and what it means when your whole life is suddenly about your children.  Brent and Kendall struggle with their changing identity from individual to parent, you know, until becoming totally murderous.

I had so much fun watching this, and Cage and Blair are so flawless as the psycho Mr. and Mrs. Jones types. Blair’s performance is so great in this off beat genre, I feel obligated to campaign for her in more roles.

And, while I am not making early assumptions about Mandy, this movie features some pretty epic full blown Cage that I don’t imagine can be topped.

Great if you liked: Santa Clarita Diet, The Guest, Mum and Dad, The Crazies, Get Out, Cooties, Zombieland, Shaun of the Dead, Jennifer’s Body, Weeds, Little Evil, Idle Hands, The Belko Experiment.

You’re Next

Image result for you're next posterThis month, I participated in Grim Magazine’s Slasher Madness bracket, where I, obviously, picked You’re Next to win.  But, despite making it to the final showdown, it lost by a large margin.  That leads me to assume one thing; not enough people have seen it.

I stumbled across this slashic by having my ear to the horror grindstone and it both revitalized my slasher fandom and skyrocketed me into becoming the massive fan of the blogged about, The Guest.

Erin is on her way to her new fiance’s family during their anniversary celebration.  The nerves of ‘meeting the parents,’ are taken to new heights when the family finds itself under attack by masked killers.

What this movie does painfully right is take us back to the slasher basics by mixing the right amount of camp and gore into a new story about a ‘cabin in the woods’ massacre.  It keeps it simple, doesn’t set out to do anything it can’t accomplish, and therefore leaves the viewer satisfied in the way you were after the seminal slashers of old.  Final girls have had such a great boom this decade, and Erin is no exception.  Yes, this was written and directed by men, but Adam Wingard and Simon Barrett are great at handling their female leads, something they double down on in The Guest.

Great if you liked: The Guest, The Strangers, Funny Games, A Clockwork Orange, The Purge, Hush, Vacancy, Black Christmas, Halloween, Friday the 13th

Cube

I told IMDB that I liked this movie, and it started recommending movies to me like “Sphere” and “Triangle” as if the only qualification was that I liked movies titled for shapes. That said, Triangle looks dope. (And NGL, Circle is very similar and will probably be up here eventually).

Cube is like the expanded Saw franchise without the gore. Before Saw 2, there were lots of cool indie sci fi films that asked what would happen if strangers (to each other and the audience) were in an unfathomable predicament and had to reason their way out. Cube is one of the best of these.

Six strangers wake up trapped in a seemingly endless maze filled with twists, turns and traps.  Each stranger is attempting to reason why they have been selected for this deadly game and why they have been put near the others.  If you’re like me, math stresses you out, so prepare to be stressed.  The attempts to solve the cube are so frustrating for you and the characters, you’ll be scratching your head angry at every past high school math teacher for not making you care more.

Films like this are great because you never know who is telling the truth, it raises ethical questions of who’s lives matter most, and forces you to wonder how you would behave to stay alive.

A fun tidbit is that there is a sequal to this called “Cube 2: Hypercube” and a disappointingly named third called “Cube 0” as if no one noticed how good “Cube Cubed” would have been.

I recommend this for a rainy Sunday inside, which will hopefully happen at some point this sunny October, ammiright?

Great if you liked: Saw, Exam, Circle, Triangle, Identity, Coherence

Hatchet Trilogy

Or Quadrilogy, I should say.

HAPPY FRIDAY THE 13TH, FRIENDS  A F13 in October?  What a gift we have been bestowed in this crazy year they call ‘2017.’

My usual F13 plans involve, well, watching a Jason Voorhees flick, because, of course.  But that’s not why you’re here.  You’re here because you’ve seen all the popular slashers and it’s the middle of October, and you want MORE. Don’t worry, I’m here.

So while I would usually be watching a Voorhees flick, I am actually currently attending the Toronto After Dark Film Festival.  Tonight is slasher night and while there is no Voorhees, we will get to see Kane Hodder  (who’s often adorned that iconic hockey mask as Jason) on the big screen as Victor Crowley in the fourth installment of the series.  Hatchet is often skimmed over by slasher fans, so I am here to share it with you, dear readers.

The entire trilogy reads like one long movie as each picks up exactly where the last left off.  After the mysterious and tragic death of a boy in a swamp in Louisiana, legends spring up about a father accidentally killing his son, a deformed cursed boy, and a fire set by mean spirited boys.  Victor Crowley, the cursed deformed boy, terrorizes anyone who comes to the swamp after dark.  After her family falls victim to Crowley, Mary Beth sets off on a mission to rescue her father and brothers and rid the swamp of the curse of Victor Crowley.

This series is great junk food when you’re looking for a new slasher, and, who isn’t.  I won’t lie to you, the third installment is by a landslide, my favourite, so I recommend committing to this trilogy.  It’s absolutely obscene and has no excuse for some of its missteps, but you will certainly be entertained.  Settle into this while I screen part 4 for you tonight at #tadff.  I’ll let you know how it is.

Great if you liked: A Nightmare on Elm Street, NOES, Friday the 13th, Jason Goes to Hell, Jason Lives, The Final Friday, Scream, The Town That Dreaded Sundown, I Know what you did Last Summer, Halloween, The Texas Chainsaw Massacre, My Bloody Valentine, Maniac

Coherence

A friend was explaining to me that one of her favourite movies was one about messy timelines and I called said movie (to be posted later on the list) a “poor man’s Primer.” She was instantly insulted, despite not having seen Primer.  So I gave her a list of three superior films in the genre, the aforementioned, Predestination, and Coherence.  Immediately after watching Coherence, she called me to sulk it was over, and to plan our rewatch. It’s that good.

I stumbled across this movie in an imdb rabbit hole, and when it popped up on Netflix, I was instantly psyched.  It does not disappoint.

A group of friends are on their way to a dinner party, the night a comet is passing overhead. *don’t read this if you prefer to go in fresh* The comet causes some sort of quantum decoherence and allows the characters to pass through to alternate timelines.

What’s really exciting about this movie, is that it doesn’t bother to hold your hand.  You are learning what is happening as the characters (and the actors!) are.  You can’t help but be focused in, trying to figure it all out.  That also lends to being a bit scary.  Even better, it leads to rewatches paying off in so many ways.

Much like Saw, this was born out of the desire to make a movie that takes place in one room, and this sci-fi delivers in a completely different way.

Great if you liked: Predesination, Timecrimes, Primer, Pi, Timelapse, Cube, Circle